Shabby
Junior Member
@Rasoul Salehi I agree with everything you said! And also with @Rai Munir, it goes without saying.
The credibility of the notion rests on the quality of the oils, and in my opinion some of the oils are mind-bogglingly splendid. Many of my personal favourite oils fit into this 'genre'. However, not all of them - for instance an oil like Assam Organic 07, which has a deep and powerful barn, clearly has auxiliary notes by this definition, but the barn is so well integrated that it complements the 'oleoresin' aroma perfectly. I would hate to imagine it without its barn.
There is no doctrine about what oud oil should smell like, but the argument that it is the resin and oil ('oleoresin') that should be the major or even exclusive focus is a powerful one. After all, that is what provides the therapeutic effect of the oil. In addition, the focus on the 'oleoresin' in these oils is an amazing resource to have even when appreciating oils with 'auxiliary' notes - it can give one a deeper understanding of what it is that is going on in the oil and a greater admiration for what the distiller is doing.
Perhaps the greatest benefit I have encountered from it is simply immersing myself in the experience of the different 'oleoresin' aromas and properties. To simply explore the Vietnamese, Sri Lankan and Indian scent profiles, seeing what therapeutic qualities emerge, slowly identifying common denominators in the regional profiles as well as exceptional qualities which are unique to certain oils in particular. This is a luxury that I think is greatly aided by oils which focus on the 'oleoresin' and try to forego auxiliary notes as much as possible. Again, this does not necessarily mean that these are the 'best' oils - who knows what that means - but it is certainly an extremely valuable approach in my humble opinion. I would be so sad not only for myself but for the whole community if this approach was glanced over without spending time with the oils.
What connects both vendors and members on these forums is the love for oud. Sometimes, love for oud presents itself in a humble and noble upholding of tradition, sometimes, it is evident in a deep search for knowledge and delving into hitherto unexplored territory. Sometimes its appearance is to be found in hand-grinding wood and using copper stills, at other times it is evident in using pyrex. Tradition and inquiry need each other: tradition without inquiry can become stale; inquiry without tradition can be rootless and arbitrary. And the oils are always there as the final testament to the skill, love and knowledge of the distiller, and as a means for the wearer to humble himself.
I am also very happy and humbled to be a part of this thread and to try and present the joy I have experienced from some of the oils mentioned. The main reason I was motivated to speak is the incredible benefits I have been blessed to enjoy from these oud oils. If more people can experience it would be a source of even greater happiness for me.
The credibility of the notion rests on the quality of the oils, and in my opinion some of the oils are mind-bogglingly splendid. Many of my personal favourite oils fit into this 'genre'. However, not all of them - for instance an oil like Assam Organic 07, which has a deep and powerful barn, clearly has auxiliary notes by this definition, but the barn is so well integrated that it complements the 'oleoresin' aroma perfectly. I would hate to imagine it without its barn.
There is no doctrine about what oud oil should smell like, but the argument that it is the resin and oil ('oleoresin') that should be the major or even exclusive focus is a powerful one. After all, that is what provides the therapeutic effect of the oil. In addition, the focus on the 'oleoresin' in these oils is an amazing resource to have even when appreciating oils with 'auxiliary' notes - it can give one a deeper understanding of what it is that is going on in the oil and a greater admiration for what the distiller is doing.
Perhaps the greatest benefit I have encountered from it is simply immersing myself in the experience of the different 'oleoresin' aromas and properties. To simply explore the Vietnamese, Sri Lankan and Indian scent profiles, seeing what therapeutic qualities emerge, slowly identifying common denominators in the regional profiles as well as exceptional qualities which are unique to certain oils in particular. This is a luxury that I think is greatly aided by oils which focus on the 'oleoresin' and try to forego auxiliary notes as much as possible. Again, this does not necessarily mean that these are the 'best' oils - who knows what that means - but it is certainly an extremely valuable approach in my humble opinion. I would be so sad not only for myself but for the whole community if this approach was glanced over without spending time with the oils.
What connects both vendors and members on these forums is the love for oud. Sometimes, love for oud presents itself in a humble and noble upholding of tradition, sometimes, it is evident in a deep search for knowledge and delving into hitherto unexplored territory. Sometimes its appearance is to be found in hand-grinding wood and using copper stills, at other times it is evident in using pyrex. Tradition and inquiry need each other: tradition without inquiry can become stale; inquiry without tradition can be rootless and arbitrary. And the oils are always there as the final testament to the skill, love and knowledge of the distiller, and as a means for the wearer to humble himself.
I am also very happy and humbled to be a part of this thread and to try and present the joy I have experienced from some of the oils mentioned. The main reason I was motivated to speak is the incredible benefits I have been blessed to enjoy from these oud oils. If more people can experience it would be a source of even greater happiness for me.
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