I mentioned the ambery note as I’ve observed ASO has a couple of beautiful signatures within his compositions.
The central point is Oud, a dark, regal, incensey, floral, resinous old school Malay profile, usually complimented by Hindi Oud, (yet somehow the barn-fermented top note is never apparent). From here the compositions either veer off into a phenolic, musky, earthy, spicy territory (eg. Zumurrud, Yaqoot II, Jumaana, Khalouq) or into a warm, ambery-coumarin, soft leather, tobacco direction (eg.. Al Ghaliyah II, Ishraaq, Teeb II, Salsabeel). Both these signatures are classical, Royal, often inspired by ancient formulas, uniquely ASO.
As Khalouq falls into the first classification I mentioned, it makes sense that Al Bayt Al Ateeq II would fall into the second, especially since both attars are representative of a similar subject.