Lots of oils worn today, which isn't unusual but I was able to keep somewhat of a record of them.
Prior to shoveling this morning I wore a bespoke
scent_talks creation,
Oud Musk. This isn't a light and carefree sort of fragrance it's heavy, powerful, and extracts a bit of the animalistic side of musk but tempers it. The musk feels fried, or perhaps boiled in milk, I don't why my mind goes it always does with this one. To compliment it, I thought why not wear something with ambergris, so I touched it up with
Sokkat AlTeeb's Tarkeeb al Malaam, a beautiful combination. And to round it off, I added to it a bit of
Sokkat AlTeeb's Ruby, which ... now this might not be a flattering comparison, but its opening reminds me of refrigerated vegetables in a grocery store for whatever reason, and I seem to enjoy it, so go figure

Though it does become quite beautiful, reminding me of a smokey herbal touch, and later in the dry down, musk macerated in Hindi oud.
Post shoveling I wanted something refreshing and thought back to
scent_talks Raja Khus, a blend which is significantly less floral than Luxe Vetiver and less spicier than Vetiver Extraordinaire. All three are favorites, the latter two use those aforementioned traits to lighten the character of the Khus, though it is very much apparent. Raja Khus tries to preserve the scent profile of the Khus and feels much more carefully decorated and minimal. It gives me the feeling of a good Ruh Khus without having to bear with some of the metallic, sour top notes. That being said, there's a water-y floral quality to it, which is quite subtle but really wonderful!
After that I wore
Maysam al Ward Ta'ifi's Dehn al Hejaz Ateeq, a wonderful oud, musk and rose mukhallat, but the rose is not bright and energetic, instead it's syrupy but in a way I can't quite express, and not a common designer manner either. It's also mostly an aged Hindi oud with Ta'ifi rose oil, as well as some more aged oils, but there's a quality to this blend, which is almost Rooh Afza like, but I don't believe its the use of Pandanus. I've been wondering if it's a native Hejazi herb such as البشام but as I've not been able to sniff that or learn anything solid this is complete speculation. The blend was intended to mimic to scent of herbalist stores in the area, which in the past also sold oud oils, and woods, etc. Perhaps benzoin in some form since I know it's very important in some incense blends, and might have been stocks at such stores.
Following that I wore
Manzar Oudh's Meghalaya. What can I say that I haven't already mentioned? It's a sweet, herbal beauty of a Hindi oil, just brings me deep calm. That wood soaked in resin scent ... I can't get enough of! Some Hindi oils in the pursuit of "smelling clean" lose all their character (not speaking of Artisan oils here) and it just seems like such a waste to me. A Hindi oil needs to capture that specific character which no Crassna can approach. the herbal resinous woody mid, perhaps a bit vaporous. Even Ajmal's Ameeri I feel falls short, though it's not the worst offender. An oud needs to speak to you, either in how it captivates you or challenges your perceptions and bends them over time. Meghalaya does that for me, its development is anything but linear, and always manages to surprise me. I'll be aging this and I have no doubt this will continue to become more beautiful as time goes on!