Mr.P
oud<3er
I do think there's something to be said for diluting some materials to a moderate level of intensity. Just based on how the nervous system works… If you turn the brightness up to 100% on your monitor, your stereo up to maximum volume, you only use 100% saturated undiluted hues when painting, you are limiting your experiences.I have a Siberian musk Kashan rose maceration I’ve been sitting on for a while, I think I posted a photo in this thread.
To this day, the musk and rose are still fighting, I don’t know how but it smells like the rose is too much and more musk is needed but at the same time it smells too musky, that’s why I like to dilute it in sandalwood it becomes so much more wearable.
It still crystallizes even at 22c, has a nice rich cherry rouge color, clear when liquid with musk sitting at the bottom, and cloudy when frozen.
when I set up my workbench to start the whole perfume project, I made 10% stock of everything I wanted to use in my perfumes and basically studied each of those on blotter paper, took notes in a little spreadsheet on the characteristics, longevity, etc. A lot of it was not surprising but there was quite a bit that was amazing to me... For example example a very delicate beautiful floral note can come from galbanum of all things!
Last edited:
