Most days, I like to wear vintage aromatic fougeres at work. Aside from simply adoring their scent profiles, I associate them with formal occasions where I want to smell professional with their clean, soapy, floral, green mossy freshness. I understand this is a cultural thing, I grew up around these fragrances & in the west if a man was wearing a perfume, 9 times out of 10 it was a fougere of some description.
Before Oud, Rose & Musk, Oakmoss was my holy grail perfume material, hence my user name! Unfortunately, with the IFRA restrictions placed upon Evernia Prunastri, one has to seek out the vintage versions of these perfumes to experience Oakmoss in its glory.
Nowadays, while wearing vintage fougeres at work, I will additionally wear a swipe of Oud on my forearm. Indonesian, Papuan, Borneo, Sri Lankan oils provide a surprisingly wonderful synergy.
Some may consider this sacrilegious, but today I applied Charles Jourdan Un Homme & dabbed Maroke Qadeem on top, the effect was unbelievable! Un Homme is austere, a darker, more spicy, indolic floral, leathery fougere, as opposed to the brighter, fresher green of Paco Rabanne Pour Homme, for example. The dark austerity of Maroke Qadeem with its spiciness, hints of leather & dark green rainforest-jungle blended so well, it felt like perfectly judged & balanced note within the perfumes scent pyramid, as opposed to a layering effect or pleasant juxtaposition. A very cool olfactory experience!
Fougere is French for ‘fern’. While ferns don’t have a perfumed aroma, in the 1880’s the French perfumers were not only attempting to re imagine what a fern would smell like as a fantasy note, they were also referencing the olfactory impression of the environment a fern grows in; verdant, moist, cool-shady, mossy, herbal. Considering Maroke Filaria wood is sourced from this same ‘ferny’ environment, today I came to the realisation why Fougeres & Oud oils often synergise so effortlessly!
View attachment 43471