
Agree with Habz and Faridoux, wild Chanthaburi is lovely.. and my OOTD as well today, from a test batch vial I keep in my bag.Thats Dhul Kifl from Chanthanburi my favorite Thai area for Oud 😎
@Joe Sri Lankan has hints if Cedar. You are quite right esp the dry part.Some Wilpatu Raja IO , my first time with a sri Lankan oud , I am enjoying the greenness , and fruitiness and some dark cedar (to my novice nose anyway).
Agree with Habz and Faridoux, wild Chanthaburi is lovely.. and my OOTD as well today, from a test batch vial I keep in my bag.
, enough to turn heads wherever you go, most of that barn is gone and the perfume aspect is starting to develop, just like Anhaar took a while to develop it. But the scent is short-lived, quickly drying down to a waxy scent🙁 I wonder if white wood is the culprit, or temperature/length of distillation
Started my day with Sasong Sungsud
Luv Luv Luv
Next up was Assam Organic Meghalaya
Yum Yum Yum
Later on I revisited Bingo, a Bangladesh oil I got from Russian Adam a while back. The oil originally had a walloping south-end barn, enough to turn heads wherever you go, most of that barn is gone and the perfume aspect is starting to develop, just like Anhaar took a while to develop it. But the scent is short-lived, quickly drying down to a waxy scent🙁 I wonder if white wood is the culprit, or temperature/length of distillation
Then I swiped my Chinese musk in Fritzsche Brothers Sandalwood oil. Nice smooth musk but not strong. When I originally got the musk it was already dry old stock which means it lost a lot of aroma.
Then I needed some perfume to contrast all the previous barny scents. So out comes Ayu, and relief is on it’s way. My Ayu is now greenish in color, no longer blue, but the scent is still the same.
While I like that very note you, respected Rasoul, want to blow off😎. For me, the life line of an Oud oil is that note.kuzen=not ready to my nose. i feel there are some super high toned notes that need to blow off first.
Truly wonderful to see how everyone’s journey into oud is so different for so many different reasons, angles and backgrounds. Everyone’s journey is a unique one too. The stages one goes thru. Loved to death oils turn to cannot be tolerated today kinda oils, to nasty oils becoming approachable and secretly not all that bad kind of oils, To oils that were realized as good but became great and vice versa.While I like that very note you, respected Rasoul, want to blow off😎. For me, the life line of an Oud oil is that note.
Bingo is a thick oil. Aging has definitely removed most of the Barn, and although it was a Horse’s ass type of barn, it was clean not filthy. Sour fruits and perfume have replaced it, but doesn’t last very long before the drydown with a waxy scent. By contrast, I have a swipe of TO 95 year wild tree, which has more perfume than sour fruits, the barn plays a supporting role only, no waxy drydown, lasts much longer, and I would bet minimal white wood involved. Nonetheless, it has a difficult learning curve. Maybe that’s the way Bangladesh Agarwood is. I also have Bengali Bastada from Feel Oud. Very small distillation batch, no soak, but the oil has very little aroma. Maybe Bengali Agarwood has a more aromatic oil versus it’s resin. But then again, I can only guess and not know for sure, due to my limited exposure to the wood and oils.
Next up..........
A swipe of Sri Pada
still going strong, I’m enveloped by the Aura of the aroma. I have a very different view of Sri Lanka oils lately. I’m going Willie for Wild😕